Sofia Rosinsky has spent years captivating audiences with her range, from the intense horror of “The Other Side of the Door” to her recent standout performance as Mac Coyle in Amazon Prime’s “Paper Girls.” While fans have grown accustomed to seeing her face on major streaming platforms and the Disney Channel, her latest project marks a significant shift as she moves behind the camera to build a new cinematic world with her sister, Alexis Rosinsky.
The duo recently wrapped production on a key segment for their upcoming feature, “Speed Limit 66, The Nightmare.” Filmed in the scenic Arroyo Grande, CA area, the project is a spooky comedy that takes heavy inspiration from the classic, eerie storytelling of “The Twilight Zone”. Unlike a traditional narrative, the film is structured as an anthology feature, weaving together five shorter segments that all revolve around a central theme of the mysterious and the macabre.
At 22, Alexis Rosinsky is serving as the film’s director, while Sofia, now 19, is taking on the pivotal role of producer. This collaboration is the latest venture for their production company, StellaLuna Films, which has already gained international recognition through award-winning short films. By stepping into these leadership roles, the Rosinsky sisters are proving that their creative influence extends far beyond acting, positioning themselves as a powerhouse filmmaking team to watch.
As first reported by KSBY News, the crew recently finished filming one of the anthology’s segments near El Campo Road. For readers who have followed Sofia’s career from her early days as a child star to her more mature roles in series like “Death and Other Details” and “Young Sheldon,” seeing her produce a project of this scale is a testament to her growth in the industry. The sisters have expressed their intention to take the film to the festival circuit once production is fully completed, bringing their unique blend of comedy and suspense to a global audience.
With “Speed Limit 66, The Nightmare,” the Rosinskys are tapping into a resurgence of interest in anthology horror, a genre that allows for endless creativity and quick-witted storytelling. For those who enjoy the unsettling charm of vintage television paired with a modern comedic edge, this project is shaping up to be one of the most exciting independent releases on the horizon.